Florence and the Machine - "You Got the Love (The XX Remix)"
Alphabeat - "Hole In My Heart"
Home of the summer jam (too broke to go to Summer Jam).
I only got as far back as 25 years in asking myself, has any director ever copped this prize despite exhibiting less of a native knack for "getting" the cinema as an art form? I think Costner's best sequences trounce Hooper's, and Howard's populism and Minghella's swoony pictorialism connect to key valences of the medium. Mel Gibson's sadism at least feels alive on the screen if rabid and overdone. Sam Mendes, whose post-American Beauty struggles on screen have been sad to witness, at least had a lot of ideas in his Oscar-winning vehicle. Risks were taken. Who could say that of Hooper's work on The King's Speech? He's good with actors. So was Scott Cooper last year. He makes you feel. So did everyone whose movie got a Picture nomination, much less a Documentary or an Animated Feature nomination. So does the script by itself, and so does the historical incident that inspired the script. I simply don't get this win, and with divisive but fervently championed artists like Fincher, Aronofsky, Russell, and the Coens in the losing circle, it'll be even harder to validate...