Friday, July 9, 2010

'Specially when you got a cold glass of wine




53. The O'Jays - "I Love Music" (Philadelphia International, 1975)

I was in Boston recently to watch a Red Sox game, and as my friends and I were trying to get back on the subway with the post-game crowd, we saw a white girl about our age using her digital camera to record a video of an African American gentlemen playing some kind of hand drums for money. Being carried around the corner by the slowly moving crowd, she looked at the musician and very earnestly, perhaps as an affirmation of a common bond between them, said, "I love music, man."

Of course we've been laughing about this for weeks, as at the time it seemed like such a hilarious and meaningless thing to say. It has occurred to me, of course, that one of my favorite songs is this Philly-disco hit by the O'Jays. So why was my reaction to the girl in the subway something along the lines of "LOL, dummy" while my reaction to the O'Jays is "fuck yeah, I love music too dudes!"?

Is it because the O'Jays somehow earn the right to express this sentiment because they're making awesome music? Is it because the ecstatic nature of dance music allows us an appropriate context in which to express simple truths? Is it because there was something in a (seemingly) middle-class white girl (seemingly) trying to affirm the worth of an African-American street performer that made me uncomfortable? Was it just me assuming a good percentage of drunk people leaving Fenway are idiots?

Probably.

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